A section of my diploma project will be published as part of the German academic journal Tierstudien. This issue is focusing on animals and migration. 

The catalogue of the international exhibition “Goodbye Cruel World, it’s Over” at Weltkunstzimmer Düsseldorf (2019-2020) is out now.

Available here ︎︎︎

A paper I wrote together with Thomas Hawranke is published in the German academic journal Tierstudien. This issue is focusing on animals and/as media. The paper is titled “Capturing the Wild. Virtual Horses in the Computer Game Red Dead Redemption 2” and we are writing about the possibilities as well as the limits of the animal-player relationship and its connection to how digital animals are co-created by both human and nonhuman actors. 

My work “Subaquatic Soundscapes” (2020) is shown at “Octopus Encounters. An Immersive Library of Octopus Aesthetics” at GLASMOOG Room for Art & Discourse, Cologne, DE in cooperation with Plimsoll Gallery, Hobart, AU.

Claudia Paganini (University of Innsbruck) wrote a paper on mourning as protest, which discusses, among others, my work “Multispecies Mourning”.